GASLIGHTING IN THE GRAVEYARD
Although it may feel that The Bone House is a false memory and you are being driven quite mad by the ongoing stop-start, stop-start, stop-start of this project – rest assured dear readers, that the work is clawing its way back from the darkest depths of the back burner and onto the stop-mo table. Puppet fabrication and blocking are the next stages in production, so I aim to bring more updates from the studio over the next few weeks. Above is a still from my initial lighting and set layout tests. Feedback was that although these tests are strong in terms of dramatic composition, the lighting was too ‘primary’, not nearly sickened or putrid enough… And I have to admit, I agree.
Oh well, back to the gel kits then!